Archipelagic Void

South Korean architect, Minsuk Cho, has created Archipelagic Void outside The Serpentine Gallery in Kensington Gardens. I went to see it yesterday.

The title makes no sense to me but maybe it has been translated badly from Korean – what do you think? 군도 공허

It was hard to interpret it visually. Perhaps its components are the archipelago and the empty spaces are the void? Here is what I saw yesterday.

The orange netting is a climbing frame. Journalists were invited to use it at the opening. Nobody was using it yesterday and frankly it looked a bit dangerous. For risk-adverse visitors there’s a cafe – a sine qua non for Serpentine pavilions  – a library called Unread Books and a sound installation inside the barn with purple plastic windows. I missed all that.

Archipelagic Void, Minsuk Cho, Serpentine Gallery, September 2024.
Archipelagic Void, Minsuk Cho, Serpentine Gallery, September 2024.
Archipelagic Void, Minsuk Cho, Serpentine Gallery, September 2024.

If you want to make sense of Minsuk Cho’s vision look at it from above, which of course you can only do by looking at a photograph.

Archipelagos Void, Minsuk Cho, Serpentine Gallery. Photo © Mass Studies, Courtesy: Serpentine.

Possibly I would have preferred Yinka Shonibare’s exhibition inside the gallery: Suspended States. He is a British-Nigerian artist with a CBE to his name. I’d never heard of him but a review in The Guardian displays familiarity with his work and asserts it hasn’t changed a jot in more than twenty years. If it’s good why change anything, I assert. But I did not see the exhibition because dogs are not welcome. Instead we went to Ognisko, where Bertie always gets a big hello, to meet a friend for lunch.

 

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